Chris, Author at Chris Rhee

Full-bodied

Nathan at Cafe Ajiaco in Cojímar, Cuba

A glass of Guayabita del Pinar Dulce after way too many plates of food.

June 13, 2016 • #cuba #photo

Frame-up

Rooftop of La Guarida in Havana, Cuba

June 12, 2016 • #cuba #photo

On the road

Football in the street in Havana, Cuba

June 12, 2016 • #cuba #photo

These kids were barreling down the street, so I was sure the photo would be a blurry mess. But it’s cool, I cashed in all the karma owed from that surprise 7-hour delay during my layover and bam – problem solved.

June 12, 2016 • #cuba #photo

Middle of the road

Walking down the street in Havana, Cuba

June 11, 2016 • #cuba #photo

Small talk

Camden taking calls on his toy phone in Portland, Oregon

June 8, 2016 • #photo #portland

Fur wrist rest

Trinket: Am I... Am I in your way?
Me: Uh... [sigh] ...No, it's fine.

Previously: Cat & mouse

June 1, 2016 • #photo #portland #trinket

Panning

Searching for shark teeth and fossils at Purse State Park in Marbury, Maryland

May 28, 2016 • #daisy #maryland #photo

Scavenging

Searching for shark teeth at Purse State Park in Marbury, Maryland

May 28, 2016 • #maryland #photo

[Your film budget estimate and the studio’s estimate] are going to be far apart, and there is a negotiation to find your way in the middle, unless you’re David Fincher, OK, who comes in and says $41 million. And the studio will say $30 million, and he’ll say, no, $41 million, and the studio is, like, $35 million. And he said listen, you think I’m negotiating with you. I’m telling you, the price of this movie is $41 million. That’s what it costs to make this movie. I don’t want to make the $40.5 million version of the movie.

— Aaron Sorkin on working with David Fincher in an interview with The Hollywood Reporter

Previously: David Fincher on compromise

May 28, 2016 • #quote #work